Cornelia Öberg (b. 1993) is a Swedish artist based in Gothenburg. She works with traditional and slow craft techniques such as manual hand-tufting, embroidery, and tapestry weaving. At the core of her artistic practice lies a desire to tell stories, a world filled with symbolism mirroring nature and its animals. She draws a lot of inspiration from old folklore, mythology, fairytales, and the natural landscape she grew up around in the west of Sweden. Öberg is currently studying an MFA in Craft at HDK-Valan,d and she has exhibited her work at galleries such as Konstnärshuset, Konstepidemin, Galleri Axel, and Galleri Thomassen. Her art is represented in both private and public collections. 

Esse McChesney (b. 1998, Falun, Sweden) is a textile artist based in Gothenburg since 2018, relocating to London in the fall of 2025. Their practice explores their queer, trans identity through a posthumanist lens. They work mainly with tapestry and embroidery, layering emotions and aspects of self, drawn from experience. Central to their work is entangling dualities such as longing/worry, natural/unnatural, and reality/fantasy. Dualities are further expressed through complementary colours and the raw, untucked threads of weaves’ backsides, evoking the image of it “crying yarn”. These contrasts are often centred around gender-affirming mastectomy scars, serving as symbols of resilience and hope.

Anna Amalie Richelsen is a Danish artist based in Copenhagen, Denmark. She holds a Bachelor of Fine Arts with a specialization in Textile Art from HDK-Valand, Gothenburg.

Her practice centers on needlework techniques such as sewing and felting, often in dialogue with her own photography. Working with bed linen and tablecloths, materials intimately tied to the body and the home, Richelsen uses textiles as vessels of memory. The histories embedded in these materials become a way for her to explore her own memories, thoughts, and emotions. Drawing on mythology and religious symbolism, her work carries storytelling that bridges ancient narratives with modern life. Rather than offering definitive answers, her pieces embrace uncertainty and the journey itself, revealing how the act of seeking can open up new perspectives.

Josefin Tingvall is a textile artist based in Gothenburg, Sweden. Her work moves across techniques like weaving, embroidery, experimental dyeing, and visual coding. At the core of her practice is a curiosity about transformation, how things shift, break down, connect, and rebuild. She is drawn to the fragile, in-between states, and how we as humans relate to a world that’s more than just us. The landscape is a recurring thread in her work, not as a static place, but as something imagined and changing, shaped by presence, memory, and time. She views craft not just as a technique, but as a way of thinking and exploring. It allows her to approach materials as active agents and to reflect on how we live and interact within a constantly evolving environment.

Sonja B Zornat (b. 1997, Gothenburg) earned her Bachelor’s degree in Textile Art from HDK-Valand in 2024. Prior to that, she studied Painting for two years at Dômen Art School and one year of Form and Design at Steneby School. She currently works from her studio based in Falun. In her artistic practice, she explores sequences of events, time, and material, where everyday life plays a central role. She is particularly interested in what happens within the home when the door is closed and no one is watching. She expresses this by creating spatial installations where printmaking, tapestry, and embroidery engage in dialogue with everyday objects and materials. 

A recurring character in her work is the bed—both as a motif and as a material—serving as a potent symbol of life itself. She holds secondhand materials in the highest regard, as they carry traces of the body, time, and lived experience.

Naomi Sussex is a textile artist and designer based in Scotland. Her work investigates the act of weaving and the interlacing of threads as a tool to explore cross-disciplinary connections through craft. She is drawn to repetitive processes that speak to both the body and the mind; exploring a desire for calm amongst the chaos and the meeting between the two. Naomi holds a BA in textile design from The Glasgow School of Art and a MFA in textile art from HDK-Valand. 

Based between Antwerp and Gothenburg, Sam Druant  works across different media, spanning textile, aquarelle drawings, text, and oil paintings. She holds a BA and MA in Textile Design from LUCA School of Arts in Ghent (BE), and an MFA in Fine Arts from HDK-Valand, University of Gothenburg (SE). Sam Druant’s work is grounded in research and a methodology of gathering. During this process, she engages with a constellation of sources in her surroundings, including images, texts, theories, and conversations, as she internalizes, interprets, and reshapes these materials within her practice. 

Drawing on alternative feminine mythologies and feminist thought, Druant’s work explores desire, monstrous bodies, care for the (female) body, and the intricacies of human existence. Through a playful and ironic visual language, she disrupts dominant Western viewpoints by introducing counter-narratives and social critique. Her practice frequently involves activating installations through gatherings, creating a common space to exchange experiences, foster connections, and envision alternative futures.